Four years of process, thirty-nine entries of learning.

A from-scratch glow-up of a Vampire Survivors–style arena game, told as a dev log.

Small C# challenges in Unity 6 — scripting fundamentals worked through one by one.

What INSIDE teaches without a manual — wordless gameplay design read through play.

A setup guide to P5LIVE — live-coding visuals in the browser, from menu to first sketch.

An underwater ecosystem of autonomous agents — predators and prey steering themselves.

A fractal tree blooming with the glint of ice crystals.

A springy network of connected balls vibrating in elastic rhythm.

Oscillatory motion and wave patterns woven into visually resonant currents.

A dynamic star-ring simulation of celestial bodies and meteor-like motion.

A force-driven simulation of rainfall breaking over a quiet dawn.

Interactive balls tracing heart and infinity trajectories across the canvas.

Generative geometry pulsing through dynamic transformations of color and form.

On net art and the digital footprint — the internet as artistic medium and context.

An interactive particle world where an imaginative scene comes alive under the cursor.

The Dancing Flower Pot — an animated JavaScript object grooving in step with the music.

A dynamic incense-stick pattern generated in p5.js, smoke curling into ornament.

Three sketches exploring generative motion through rotation, noise, and rhythm.

On Anna Ridler — tulip datasets and the meeting point of data, nature, and art.

A partner's dream brought to life as an interactive p5.js scene of memory.

An abstract p5.js self-portrait drawn in the fractured spirit of Picasso.

Three paper karakuri mechanisms, each performing its own pattern of repetitive motion.

A kinetic sculpture after Studio Drift's Shylight, rising and falling on motorized lines.

A reflection on how machine art and kinetic art reshaped the artistic landscape.

An installation that renders changing seasons and weather as shifting fields of colored light.

Choreographing a DMX moving-head spotlight to sweep programmed beams through space.

A standing lamp inspired by fireworks, scattering bursts of LED color through the dark.

Notes on light-and-space art — tracing one vein of practice across three readings.

The first IMA group exercise at NYU Shanghai — where four years of documentation began.