Portrait · 人像
Every portrait is a collaboration between the seen and the felt — light sculpting features, stillness revealing character.
每一幅人像都是可见与可感之间的协作—— 光线雕刻轮廓，静默显露性格。
Sitting No. 01 · 第一辑
Four studies of light as the sculptor — dawn mist on a lake, brass rays behind a silhouette, golden grass at dusk, a gown running into the night.
四帧关于光的习作——晨雾湖面、铜窗剪影、暮色金草，与夜色里的礼服。
Light is the first collaborator.光，是第一位合作者。
Sitting No. 02 · 第二辑
A chamber study in painter's light — a daisy crown, a butterfly asleep in the curls, petals underfoot at the hem.
画室光线下的室内叙事——雏菊花冠、蝶栖发间、花瓣落在裙摆脚边。
Sitting No. 03 · 第三辑
Moon gate, stone steps, a bamboo window — the classical garden offers its own framing, 借景 in the oldest sense.
月洞门、石阶与竹窗——园林把自己的画框，借给了人像。
Borrowed scenery — the garden’s oldest way of framing.借景——园林最古老的取景术。
Sitting No. 04 · 第四辑
Reading rooms, riverside wind, crabapple spring, a café pause — Shanghai in its daily tense.
图书馆的午后、江边的风、海棠的春天、咖啡店门口的片刻——上海的日常时态。
Sitting No. 05 · 第五辑
Two frames from a summer above the High Line — a bouquet, a phone, the traffic far below.
高线公园之上的夏天——一束花、一部手机，和楼下远远的车流。
New York keeps walking; you learn when to look up.纽约不停步——你学会在哪一刻抬头。
Sitting No. 06 · 第六辑
Banyan shade in Guangzhou, then across the water — the Star Ferry, a red jumper, the winter light of Victoria Harbour.
广州的榕荫与老街，渡海之后——天星小轮、红衣，和维港冬日的光。
